By
Kurt Vonnegut
Five
out of Five Stars

Writing a review of such an iconic and classic book
is daunting. The temptation is to search the Internet for reviews and analysis
of the novel and parrot that back in the review, so as to make myself look like
a literary intellectual. That would also be more than a bit of a cheat. The
beauty of writing, as in many other forms of art, is that it is all
interpretive; there are shared experiences, but we all get something unique or
different to ourselves through art – how our minds interpret what we read and
what we see; so, it’s only fair that I relate to Slaughterhouse-Five, having been read by me in 2015, as I
experienced it.
The book itself, told in an almost
stream-of-consciousness format, by Billy Pilgrim, focuses, or I should say, is
anchored by his remembrances of being a prisoner of war during WWII, and held
in the German city of Dresden during its bombing by the Allies on February 13
to 15th in 1945; while history has now determined that the bombings
claimed 22,000 to 25,000 lives, for the longest time, and in 1969 when Slaughterhouse-Five was originally
published, it was believed the death toll was in the 100,000 to 200,000 range.
Billy, an inept soldier at best, is obviously deeply
troubled by the bombing and his survival during it, and in telling what
happened, also relates other experiences in his life, doing so by explaining
that after he was kidnapped by Outer Space beings known as Tralfamadorians, he was
able to time travel back and forth through time, visiting different points of
his life – at least when he isn’t stuck in a Tralfamoadorian zoo, where he is
observed and eventually mated with a “B” movie actress who may have also dabbled
in pornography.
In telling this tale, Vonnegut doesn’t structure his
novel in a traditional manner, but bounces around in space and time relating
Billy’s remembrances – an approach that works beautifully. In reading Slaughterhouse-Five, it dawned on me
that living through a time of war must be a strange and surreal experience, as
people act and behave differently – outside the norms of proper, expected
society. Billy relating his wartime experiences is almost as farfetched and
unbelievable as his time traveling experiences, and time with the
Tralfamadorians – both might as well be the same. I was aware that Slaughterhouse-Five had been described
as an “anti-war” novel, and got that, as the behavior of human beings during
war, as described by Billy, is as silly and crazy as his remembrances of space
creatures; both are out of place and time. Add to this, his mundane life as an
optometrist, in a functional, safe marriage, and the absurdity of war is driven
even further home.
I suspect Billy Pilgrim is telling this tale late in
his life, and to make sense of what he went through during WWII and the
bombing, he is manufacturing events he experienced into a wild and crazy tale,
that in many ways, through the philosophy of the Tralfamadorians takes away the
concept of free will, and as such absolves him of his participation in something
as horrific and terrible as WWII. His way of coming to terms with what he
experienced in Europe during that time.
Published in 1969, Slaughterhouse-Five: A Novel, written by Kurt Vonnegut is still a
powerful read; a WWII novel unlike any other, that still has something to say,
and can still prompt thought. The absurdity of war has not left us; while we no
longer fight World Wars, the insanity of conflict, death and destruction still haunt
us, and it’s in reading something as creative and inspired as Slaughterhouse-Five that it causes us to
pause for a second and wonder just what the hell we think we’re doing, or
accomplishing, in our desire as a species to embrace violence?
Thought provoking and brilliant, Slaughterhouse-Five is a classic novel
worth reading.